Jacobs’ view on the Transamerica Pyramid
While Jacobs was an icon in the field of architecture, he wasn’t particularly enthusiastic about the Transamerica Pyramid. He regarded it as somewhat of an anomaly in San Francisco’s skyline—more of an audacious proclamation than a seamless complement. Although some architects lauded its unconventional design, Jacobs believed it disrupted the city’s established charm.
He wasn’t the only one who felt this way. When the blueprints first came to light, many locals and critics were not fond of the concept of a towering, angular edifice overshadowing the skyline. Jacobs, known for his candid opinions, expressed doubts about how the structure would mesh with the city’s existing essence. To him, excellent architecture wasn’t merely about being different—it was about fitting in.
In time, however, the Transamerica Pyramid became an iconic symbol of San Francisco. Whether Jacobs ever grew to appreciate it remains somewhat unclear, but one thing is certain—he never hesitated to offer a genuine assessment. After all, in both architecture and surfing, occasionally you have to point out a questionable wave when it appears.
His passion for San Francisco
Regardless of his critiques of certain architectural decisions, Jacobs harbored a profound love for San Francisco. He cherished its diverse array of styles, ranging from Victorian houses to audacious modernist innovations. For him, the city was not merely a construction site—it was a vibrant, living masterpiece.
He frequently remarked on San Francisco’s capacity to welcome transformation while retaining its essence. The undulating hills, the fog rolling in through the Golden Gate, the lively neighborhoods—all of it fueled his inspiration. He appreciated how the city’s architecture narrated a tale, with each building contributing another segment to its rich narrative.
Jacobs also had a fondness for the people. He valued the way San Franciscans championed their city, whether it involved safeguarding historical sites or advocating for forward-thinking designs that honored the past. He maintained that exceptional architecture was not solely about looks—it was about community, about crafting spaces where individuals could flourish.
And let’s be honest—he likely enjoyed the coffee as well. After all, even the most talented architects require a good flat white to keep the creativity flowing.
